Submission
The Only Thing We Have to Fear…
by Missy Beattie
The stage was almost dark, quiet, but we could see 36 (Erma counted) tiered boxes with red curtains. Each was bordered with globes that were illuminated softly. Suddenly, a stringed instrument broke the silence as the lights brightened and the curtains of one of the boxes opened to reveal a cross-legged, turban-wearing musician playing the kamancheh. Then another curtain opened. Another musician behind that curtain. And another. And another.
The Sisterhood sat in a North Carolina concert hall Monday night, transported to an exotic world. Our jaws dropped. The Manganiyars, a 43-member troupe spanning three generations, are from Rajasthan, a desert region in India. Their performance suitably is called The Manganiyar Seduction. Seduction, yes — the visuals and music are alluring. During the extravaganza, a dancing conductor lead the musicians. He’d face the performers, then turn to the audience, back to the musicians, to the audience, clicking castanets and encouraging the audience to clap hands, mimicking the castanet-ing. Gracefully twirling, leaping, landing, this artist was an 80-minute, cardio-vascular demonstration interrupted only once when director Roysten Abel took the stage near the show’s end. (more…)